An analysis of talk radio by oliver stone

You hit the nail on the head. However, I wish that either of them had been able to inject some heart or character development into the first half in order to make the crisis of the last act a bit more meaningful on more than just an intellectual level.

A lot of it was Bob Richardson and I learning how to use space by shooting in that tight little studio, which was cleverly built by Bruno Rubeo.

Was there ever any pressure on the financing end to cast someone other than Bogosian? It never occurred to me to use anybody other than Eric. What do you remember about the release of Talk Radio? We threw the first few days of rushes away, in fact, because they were so terrible.

Their timing was terrific; watching the two of them I felt a little like a theater director. It was far too dark for December, but Garth put it out then and it bombed. By the time you see him, the anticipation has really built up nicely. This makes the last scenes—where the camera circles Barry while he unloads on the air about how hopeless everything is like a teenager who just read about the Enlightenment for the first time—incredibly effective from the outside looking in.

Talk Radio captures at least the Stern era perfectly and offers terrifying hints of the angry commentary to come.

An analysis of talk radio by oliver stone

The director also found time to make the greatest business film of all time Wall Streetan experimental big-budget musical bio-pic The Doorsand a poetic, meditative look at the Vietnam War from a female perspective Heaven and Earth.

I also wonder about the association with Alan Bergwho was the actual liberal DJ killed in and formed the basis of Barry, but looks more like the guy Barry replaced Barry looks more like Howard Stern than anyone else.

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In addition to Bogosian and the voice actors, you had a great cast that consisted of people like John C. What a damn shame. I sat down with Stone during a break from post-production on his latest film, Snowden, to talk about the making of Talk Radio and its influence on his career.

I spent a long time auditioning voices and found ten or fifteen actors, some of whom did several parts because they were so good. Barry Champlain Eric Bogosian knows just what to say to get a rise out of you. It contributed greatly to Born on the Fourth of July and everything that came after it, because Bob learned a lot about lenses, and I fell in love with the split diopter.

For almost an hour we get him spouting well-rehearsed arguments and punchy comebacks against a slew of shallow and bigoted callers.

He just had so much fire. Baldwin, in his way, tries. So at this point you were essentially prepping two movies at once?Oliver Stone: Talk Radio () Oliver Stone made a film that has all the cohesive vision of Platoon minus the unfortunate lead performance.

That opens up a whole other fun avenue of commentary and potential for controversy but more a fun point of analysis from Stone. Jan 13,  · Directed by Oliver Stone. With Eric Bogosian, Ellen Greene, Leslie Hope, John C. McGinley. A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national/10(K).

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An analysis of talk radio by oliver stone
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