A review of the 1972 film cabaret

A must watch for any musical lover. Cinemagoers have long been split between those who love or loathe the form. Differences between film and stage version[ edit ] This section possibly contains original research.

Everyone else seems subdued and diffuse, standing meekly by and letting the leads get on with it. It is the exact opposite to what we saw earlier in the seedy Berlin nightclub, a scene of exquisite purity and lyrical beauty.

How easy it is for us to be seduced by false sentiment and flawed ideals, to be duped into seeing angels when devils stand before us. The acting is pretty good. After all, Jean Ross is kinda right.

Take Cabaretwhich began life as a hit Broadway musical Was this review helpful? Narrative and news reading[ edit ] Although the songs throughout the film allude to and advance the narrative, every song except "Tomorrow Belongs to Me" is executed in the context of a Kit Kat Klub performance.

Minnelli had auditioned to play Sally in the original Broadway production. At first, they kept each other at reservations, trying not to fall in love with each other. The character of Cliff Bradshaw was renamed Brian Roberts and made British as was Isherwood, upon whom the character was based rather than American as in the stage version.

The club serves as a metaphor for the threatening state of late Weimar Germany that is clear. Sally Bowles might not be the most likable character as she does a lot of pretty awful stuff, but the way, Liza Minnelli sink you in, with her charm.

Fosse was ultimately hired. Fosse cut several of the songs, leaving only those that are sung within the confines of the Kit Kat Klub and "Tomorrow Belongs to Me" — sung in a beer garden in the stage musical, it is sung first by the cabaret boys and then at a private party. A few years after the film was released, he said: Spoilers Willkommen, bienvenue, welcome!Fosse's delegacy lives on on film, and on stage right now in London, Berlin, and New York where the CABARET revival, did I mention CHICAGO?, and FOSSE, the musical- based on his life- including a piece from the movie of Cabaret continue to dazzle new generations.

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Jan 01,  · "Cabaret" explores some of the same kinky territory celebrated in Visconti's "The Damned." Both movies share the general idea that the rise of the Nazi party in Germany was accompanied by a rise in bisexuality, homosexuality, sadomasochism, and assorted other activities. Taken as a generalization about a national movement, this is certainly extreme oversimplification/5.

Find great deals on eBay for cabaret film Shop with confidence. Masterful and subversively assembled, Cabaret is more than your mundane musical extravaganza.

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It is a glitteringly dark, intelligent, audacious and morally complex slice of cinema with a tragic heroine (played to a scintillating, iconic, career-bolstering performance by Liza Minelli) reflecting an even more tragic, nihilist era of turmoil and dissolution.

Cabaret is a American musical drama film directed by Bob Fosse and starring Liza Minnelli, Pauline Kael wrote a review applauding the film: "A great movie musical. Taking its form from political cabaret, it's a satire of temptations.

In a prodigious balancing act, Bob Fosse, the choreographer-director, keeps the period—Berlin, "Cabaret" is one of the best film musicals of the 's or any other decade.

Win when you're singing

Set in a cabaret (night club) in decadent Berlin, Germany of the early 's just before the advent of Hitler and Nazism, it mixes lively songs and dance, sex, comedy and drama.

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A review of the 1972 film cabaret
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